Have you ever basically completed an email but not sent it, forgot about it and then, when you remember it again, procrastinated on sending it because you didn’t send it right away? Well, then you understand this post.  ;)

There has been at least 1000 metal, prog and hard rock albums released in 2009, which should amount to something like 1 months worth of music. I don’t have access to any reliable statistics but it seems to me to be a significant increase over last year? I obviously haven’t listened through all that, but I have in fact sneaked a peak of most of them. As usual there is a lot of shit (in particular like 70% seems to be run-of-the-mill crappy death-ish metal), but there was a couple of goodies.

Ups

Besides ‘Irepress – Sol Eye Sea I’, my most favorite album of the year has to be ‘Mastodon – Crack the Skye’.  I cannot put my finger on any obvious special/original influences, but somehow it’s not like any other album I know.  Especially the sound. If anyone knows of anything like it, let me know.  ’My Universe – Infinite Spaces’ was a notable instrumental album for me, one I actually enjoyed! It’s not often that I feel that instrumental songs can convey a story.
As usual I’ve kept most to metal, but a notable non-metal release was ‘Fejd – Storm’ (modern folk-inspired music, actually made by metalheads).  I’m not sure I’ll come back to this album much but I absolutely loved it for a while.  Cute right?

Other nice discoveries that I’ve made this year:

• Animals as Leaders – Animals as Leaders
• Blind Ego – Numb
• Black Sun Aeon – Darkness walks beside me
• Hourglass – Oblivious To The Obvious
• Agnosia – Trace Decay

A lot of the albums I anticipated also turned out great:

• Indukti – Idmen
• Isis – Wavering Radiant
• Mew – No More Stories Are Told Today, I’m Sorry, They Washed Away
• OSI – Blood
• Porcupine Tree – The Incident
• Riverside – Anno Domini High Definition
• Shadow Gallery – Digital Ghosts

Downs

As a ‘concert year’ 2009 was pretty terrible for me. Which is my fault entirely: I went to no festivals and few concerts. Off the top of my head I can only recall two small Susperia gigs and Opeth+Ihsahn in Oslo + a couple of concerts with local/acquainted bands. In particular I regret not going to Porcupine Tree, Mew and Paradise Lost when I had the chance. Hopefully I’ll make up for it in 2010!

As for albums ‘Pure Reason Revolutions – Amor Vincit Omnia’ was by far the biggest disappointment. It’s something else than their previous album (the Dark Third) entirely; upbeat with driving rhythms and vocals. For me it ends up feeling a lot simpler and more “popped”, and much less polished.  It’s not really a bad album, it’s just very far from what I expected and wanted. ‘Scar Symmetry – Dark Matter Dimensions’ is a quick runner up, highly anticipated but every part of that turned out lame. I suspect I am victim of several biases here, but it seems to me that everything Nuclear Blast touches turns to shit after a short while…

Other major disappointments include:

• Amorphis – Skyforger
• Queensryche – American Soldier
• Stratovarius – Polaris
• Dream Theater – Black Clouds & Silver Linings
• Megadeth – Endgame

And even though 2009 is over I have not made up my mind about all the albums yet. Here are some releases that I might very well end up loving, but don’t quuite know yet:

• Callisto – Providence
• Epica – Design Your Universe
• Katatonia – Night is the New Day
• Anekdoten – Chapters
• Phideaux – Number 7
• Redemption – Snowfall on Judgement Day
• Tombs – Winter Hours
• Paradise Lost – Faith Divides us, Death unites us
• Seven – Cymatics

I’ve realized that I have a bad habit of not listening enough to albums and moving on to the next one way to fast. * For me at least, it takes quite a bit of listening to really “get” an album.  Takes a while before all the sounds turn into the known melodies, awesome rhythms and familiar words that you can actually dig. Even more so for those albums that have be potential to be mind-blowing, because they are often very different from what I’m used to.

*Not quite as horrible as my tendency to sometimes fast-forward in movies though….

Last night and today I’ve been trying to migrate my Argh Arch Linux server install from a SATA to a CF-Card (connected via an IDE adapter from DealExtreme). It should have been a straight forward thing, but when I had moved my system over (/ filesystem, /boot and set up the bootloader correctly) the thing would not boot up correctly.

At first it was failing to activate my second LVM2 volume group (the one that my root filesystem was on) in the LVM hook. A regeneration of the initcpio image took  care of that.

But then it hangs on “waiting for udev uevents to be processed”. Which is even stranger, because when I boot the same system from the SATA drive init works entirely as expected.  And it does not even time out and tell me what uevent it is waiting for like it should. So I try the -lts kernel, the fallback images, using the “verbose” kernel flag, unplugging all usb devices; all fails in more or less the same way.

Then suddenly XX boots later, when I was ready to let the whole thing go, udev times out and tell me its waiting for “/dev/snd/sequencer”. Apparently when booting from said IDE adapter, and only then, my soundcard (an M-Audio 2496 using the ice1712 alsa driver) messes up on this stock Arch kernel (stock Linux 2.6.31.6 and 2.6.27.39) . Hurrah.

Note to self: Removing all unnecessary components when troubleshooting is a sane strategy and will often save time even if it seems to be more effort: use it more often.

Published here in hopes that it would be useful to someone else.

UPDATE: after a couple of successful boots (but no software of system config changes) I put the card back in and… it works. I usually see computers as quite predictable, but not this.

The production on this debut album is flawless and the quality of the songs are pretty even over the entire album. While I get tired of this kind of music after a while, I’m sure those who hold this kind of music close to the heart will love this album through and through into eternity.
If you think you might be that type you should check out Dokken – Lightning Strikes First (2008) while you’re at it.

This album is one of, if not the absolute favorite of mine this year. Which is surprising since it has nearly no vocals at all. Typically good vocals is almost a requisite for me liking an album. But these guys from Sharon, Massachusetts, USA pulled it off. An near-instrumental album that I not only liked but blew my mind.

I’m not sure if I can explain just why that is though.  Perhaps it is the kind of chaos that characterizes the more hard and dominant parts of the musics at times. Contrasted with the very smooth and pretty yet complex softer parts, . Combined with the fleeting song-structures so that the song not as much transitions as it evolves.
Perhaps that was the gist of it. Those elements were definitively involved.

When I had heard it through  I had to look for similar music. The only thing that really sticked there was North – Ruins (2007), which really is a lesson in melody through disharmony.
Both albums are highly recommended to anyone looking for something new. Do note that this probably is not the easiest music to like, so be prepared to give it some effort.

The bands mentioned in the title have some commonalities:

All are female fronted bands in the gothic metal genre or there about
All have albums that I’m a big fan of (tho those are a bit old)
All released new albums this year (”Forever is the World”,  ”Shallow Life”, “the 13th Floor” respectivly)
All the new albums were major disappointments. At least for me

Now, I’m not ruling out that my taste in music has changed or that I’m otherwise biased. But in any case the end result is the same; I’m enjoying these albums less than the previous ones.

Both Theatre of Tradegy and Sirenia have new female vocalists, and I think that they are most of the problem. They just seem like such dolls! There is nothing wrong with their singing per se, but it seems thin, pale and lifeless. Where is the variation, contrast and edge? Gone.

In Theatre of Tragedy I’m also missing the previous cybergoth/electronica influence so prominent on Assembly (2002) and more blended in with gothic metal on Storm (2006). Now it just feels plain.

As for Lacuna Coil here is a song illustrating the decline?*

The intro is not good, and when the insanely stock riff after that comes in the refrain; Da-da-da-da-da-da I’m thinking – “okey, this sucks”. That thought never really left. The verses that follows are just a tiny variation of the intro, and the entire song is just  intro->refain->verse->REPEAT. Original huh. And the lyrics could just as easily have been used for Britneys next hit when you think about it. Not to mention the “fake” bass beats that are used for emphasis on several spots. Ugh.

But I bet the record company, MTV and casual listeners were pleased. In their world it doesn’t take more than a pretty chick (that she has a bit of attitude helps too) and to keep the music generic enough to be “accessible” to make a “great song”.  I sometimes wish that I too was that easy to please. But not today. *puts on Epica – the Divine Conspiracy*

* to be fair, this is probably the worst song on the album. If you want to check out one that I actually think is pretty good, check track 1: Survive

Subsignal emerged from the ashes after the german progressive metal band Sieges Even split up about a year ago.  On-board is lead vocalist from Sieges Evens last two albums (”Art of Navigating by the Stars” and “Paramount”), Arno Menses and the lead guitarist, Markus Steffens.  As I am a huge fan of those two album, this release was filled with both excitement and a bit of anxiousness. Will they try to do the same and fail? Will it be something entirely different? Awesome different or crappy different?

I’ve heard through it a number of times the last week and a half, and I can say that it is very much in the same direction as Paramount. Meaning that the music is mostly on the soft side (yet with plenty of contrasting harder parts), progressive and technical but without wankery. While some are probably disappointed that its not harder or more aggressive (”you call that metal!?”) and find the lead/backing vocal interaction a bit cheesy, it’s exactly what I loved about Sieges Even.  Hard to tell if I will come back to this album again and again as I do with Paramount and Art of Navigating by the Stars, but right here and now it’s perfect.

Youtube has plenty of songs from the album if you want to hear more, or you can just go buy it from their webshop.

MyPaint popularity is continuing to grow, much thanks to publicity from the Durian Open Movie project. We’re now working on the v0.8 release, which hopefully will be out this year.  I wrote a small post on the official site about that here.  I’m responsible for the translations, and so far we have 11 of them, with a couple more in the works that I know of.  Packaging is also picking up, soon most of the major GNU/Linux distros will have MyPaint in the official repos! Even some talk about a Mac OSX version (using X11.app tho).

I also plan to do some OpenRaster / GIMP-integration improvements and perhaps a small statusbar. I’m even considering writing a C library (with Python wrappers ofc) for OpenRaster, mostly to sped up saving and loading. A reference implementation would of course be nice to have.
But that is somewhat unknown territory for me and I’m not sure if I’m able to set aside the time necessary for such a task… We’ll see!

Sons of Seasons was founded by Kamelot keyboardist Oliver Palotai in 2007, and this is their debut album.  I actually did not know that until just now when I looked it up on Wikipedia, so this band was entirely new to me when I first hear this album back in June.

If one is to compare with the recent Kamelot albums this tones the power and symphonic aspects down significantly, instead being more progressive and aggressive. Some might see this as a surprise, but the keyboards actually dominate a lot less! And I think most will see that as a good thing. Maybe its because Oliver is also doing guitars.
My favorite track is definitively the title track (and intro leading up to it), varied and polished like prog metal should be. The vocals are what I find the most refreshing; mostly clean but ranging from snarls to straight out aggressive to tentative and soothing.

Seeing as they signed straight to Napalm Records I guess that there is someone out there that agrees with me in that this is a pretty good album and debut. Looking forward to hear more from them. Recommended for everyone thats into progressive metal and looking for something new!

I originally planned on doing a post on some of my favorite albums of 2009.  But I was having some trouble picking out only a few, and I don’t really want to limit myself to my favorites. So I’m doing a series of posts, showing some favorites, some disappointments and the occasional oddity (musical or otherwise). Consider it a kind a of Christmas/advent calendar, if you want.

So, I have not really written that post describing my senior project yet (well, I have a draft…), but here is a visual teaser at least:

To get this nice image I had to do some X11 forwarding over SSH through an intermediate server. And since I’m probably not the only one with such needs and I’m bound to forget how I did it I will post it here.

Basically I used this excellent reference. But if you need trusted X11 forwarding (like with ssh -Y instead of -X) you need to generate an xauth file as an extra step when you’re on the remote server. That can be done with “xauth generate $DISPLAY .” And the “nolisten tcp” config option that you need to disable locally is usually found in /etc/X11/xinit/xserverrc
Additional heads up: if you try and connect with -X in addition to this manual forwarding you are setting up, you might get strange errors like “X connection to localhost:10.0 broken (explicit kill or server shutdown).” So don’t do that.